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"Review: Raine Bedsole at Callan Contemporary", New Orleans Art Insider

Engineers would not approve of the vessel Aeolus, top, a skeletal canoe that seems to hover in space as crystalline drops fall from its spindly ribs like vastly oversize tears. What it means will vary with the viewer but, like a ghost boat in magic realist fiction, it seems to ply etheric currents in a sea of dreams. Others look equally gossamer whether made from steel rods shaped like reeds or clad in paper as sheer as the lanterns Brazilians set float for All Saints Day. Imagined Islands suggests a spindly seed pod, but pages from antique books appear embedded in its silk fabric skin. The creations of man and nature are similarly interwoven in her works on paper, whimsical drawings of trees, structures and coral reefs on collaged backings of vintage book covers. Even her Tower of Babel, in this context, recalls the spiraling interior of a nautilus shell. Bedsole's bronzes are more substantial, but their repetition of iconic forms reinforces the subtle elemental subtext that underlies this show-- namely the way all things created by man and nature are ultimately interwoven, connected by subtle but imperishable bonds that can be bent but never be broken.

By D. Eric Bookhardt

 

 

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